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Biography of Adriaen Brouwer

Name: Adriaen Brouwer
Birth Date: c. 1605
Death Date: 1638
Place of Birth: Oudenaarde, Netherlands
Nationality: Dutch
Gender: Male
Occupations: painter, artist


Adriaen Brouwer

The Flemish painter Adriaen Brouwer (ca. 1605-1638) exerted an immense influence on his contemporaries. His success as a painter of genre subjects ensured the popularity of scenes of peasant life in Dutch and Flemish painting of the 17th century.Adriaen Brouwer was born at Oudenaarde in the southern Netherlands. There is no reliable account of his training as an artist. He lived in Holland, working in Haarlem and Amsterdam, from about 1625 until 1631. In Haarlem he undoubtedly knew and was influenced by Frans Hals. An early painting, typical of Brouwer's Dutch period, is the Pancake Man, which, with its lumpish, misshapen peasant types and strong local colors, recalls the 16th-century Flemish master Pieter Bruegel the Elder.In 1631 Brouwer was in Antwerp, where he was listed as a master in the Guild of St. Luke (the painters' guild) and where he remained until his death, at only 32 years of age, in 1638. During these …showed first 150 words

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showed last 150 words…subjects were the Dutch painter Adriaen van Ostade and the Flemish painter David Teniers the Younger. Further Reading The best books on Brouwer are by Dutch and German scholars. An early attempt to define the artist's output is C. Hofstede de Groot, Catalogue Raisonné of the Works of the Most Eminent Dutch Painters, vol. 3 (trans. 1911). The fundamental study, still not supplanted, is Wilhelm von Bode's monograph in German, Adriaen Brouwer, sein Leben und seine Werke (1924), which contains all the documents relating to the artist's life; Bode regarded Brouwer as "the most gifted Netherlandish master of the 17th century after Rembrandt and Rubens," and this assessment of the painter and his work has not been seriously modified by subsequent scholarly investigation. Gerard Knuttel, Adriaen Brouwer, the Master and His Work (trans. 1962), is a well-illustrated monograph which seeks to present a new critical evaluation of the painter and his artistic development.

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