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Biography of Kanze Zeami
Name: Kanze Zeami
Birth Date: 1364
Death Date: 1444
Place of Birth: N/A
Nationality: Japanese
Gender: Male
Occupations: actor, playwright, critic
Kanze Zeami
Kanze Zeami (1364-1444), also called Zeami Motokiyo, was a Japanese actor, playwright, and critic. His theoretical works on the art of the No are as justly celebrated as his dramas.It was the great esthete, statesman, and patron of the fine arts, the shogun Ashikaga Yoshimitsu, who discovered Zeami and his father, Kannami, a brilliant No actor. At a command performance of Okina, Kannami appeared before the Shogun and impressed him so favorably that he was at once named knight companion to Yoshimitsu, a considerable distinction. Kannami died in 1384 on tour. Zeami always spoke of his father in the most adulatory and respectful terms as a great actor, playwright, composer, and choreographer, for talent in all these capacities is required in the creation of a No drama.Zeami first appeared before Shogun Yoshimitsu in a performance at the Imakumano Shrine in 1374. Before he reached his majority at 20, Zeami was considered an
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his son Motomasa experienced the hostility of Shogun Yoshinori, while Zeami's nephew was shown preference. Father and son were not bidden to the palace of the Shogun and later were excluded from performing before the retired emperor. When Motomasa died in seclusion in the country, Zeami was inconsolable. His grief blighted the remaining years of his life.The leadership of Zeami's school of the No passed to his son-in-law Komparu Zenchiku. In 1434 Zeami was banished to the remote island of Sado in the Sea of Japan. He remained there until the assassination of Yoshinori resulted in a general amnesty in 1441. Zeami then returned to Kyoto. Further Reading There is little on Zeami in English. For useful background see Arthur Waley, The No Plays of Japan (1921); Ezra Pound and Ernest Fenollosa, The Classic Noh Theatre of Japan (1959); and Donald Keene, with photos by Kaneko Hiroshi, No: The Classical Theatre of Japan (1966).
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