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Railing against creative writing programs and their generally banal products may be in vogue in some circles, but not merely so. In fact, that content has been sacrificed on the altar of form in the mainstream, period, might almost be a truism now. However, even form has de-evolved in most academic poetry to a mere semblance of its former self. Staunch rhyme and meter have given way to some chimerical, flickering thing that vaguely resembles
lk of workshop poetry -- poems frequently so private, so solipsistic in their imagery, that they are virtually meaningless for any reader except, in some poems, the voyeur at the window box with his hand in his pants. At least in this version, however, there is someone breathing under the cardboard printout, some small flavor in its consumption even if the reader gets little more than a slight prurient buzz from the experience. ------------------------------------------------------------------------ **Bibliography**
