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Dry September
“DRY SEPTEMBER” William Faulkner claimed he was trying to fit the whole world between the capital letter at the beginning and the period at the end of a sentence, and that’s why his sentences tended to be so long. In the very first sentence of his short story “Dry September,” he manages to establish the beginning of a world, its dark mood, and point the reader in the direction of the story’s theme. “
Pouillon, J. “Time and Destiny in Faulkner.” In Faulkner: A Collection of Critical Essays. Ed. Robert Penn Warren. New Jersey: Prentice Hall, 1966, pp. 79-86. Warren, R. P. “Faulkner: Past and Present.” In Faulkner: A Collection of Critical Essays. Ed. Robert Penn Warren. New Jersey: Prentice Hall, 1966, pp. 1-22. Warren, R. P. “Faulkner: The South, the Negro and Time,” In Faulkner: A Collection of Critical Essays. Ed. Robert Penn Warren. New Jersey, Prentice Hall, 1966, pp. 251-271.

