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Many of the genre characteristics of the documentary, whether intentionally or not, serve to reassure the viewer that the people and actions depicted are true and sincere. When a documentary strays from certain conventions, viewers question the actuality of the content. Such is the case in Godboutís The Fate of America, where the heavy staging and scripting cause the viewer to question the validity of the filmmakerís ëchanceí meeting of RenÈ Dubois. However, …

…of America, (NFB: 1997) Guest, Christopher, Waiting for Guffman, (Castle Rock Entertainment: 1997) McDonald, Bruce, Highway 61, (Paramount Home Video: 1991) McDonald, Bruce, Roadkill: Move or Die, (Shadow Shows: 1989) Pennbaker, D.A., Bob Dylan - Donít Look Back in Anger, (Wea/Warner Bros.: 1967) Poelvoorde, BenoOet, with RÈmy Belvaux and AndrÈ Bonzel, Man Bites Dog (Cíest ArrivÈ PrËs de Chez Vous), (Fox: 1991) Scorsese, Martin, The Last Waltz, (CBS Fox: 1976) Smithee, Alan, Burn Hollywood Burn, (Hollywood Pictures: 1997)