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The Great Gatsby
When F. Scott Fitzgerald turns on the heat in Gatsby, he amplifies a single detail into an element of function and emphasis that transforms neutral landscapes into oppressive prisms. Through these prisms which distort and color the lives of Fitzgerald's characters, we see why human's elations are, as Nick Carraway describes them, "shortwinded" (Gatsby 2). Heat is the antithesis of Jay Gatsby. It is symptomatic of his undoing, his nemesis. As he suited up in his
as tired as she was when she first met Tom Buchanan and saw a way out of Louisville. And it is in the heat of debate that Gatsby is handed defeat. To the rekindled romance that might have been, it doesn't matter what happened once Daisy and Gatsby left the Plaza. To the fair-weather princess, their passions had become too heated. Theirs was, after all, an early summer love, and the fair-weather was no more
