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Allegories of Blood: Comparing Picasso's Guernica to Gericault's Raft of the Medusa

Date Submitted: 06/26/2004 05:09:21
Category: / Arts & Humanities
Length: 10 pages (2748 words)
Views: 87915

For centuries artists have moved audiences through the use of pictures. As time progressed those images became more and more demanding of the viewer until they were meant to invoke a physical response. Perhaps the earliest account of such emotionally exact artwork is the 1818 piece, Raft of the Medusa, by Gericault. As time progressed people became more politically aware and involved and generations of art portray this. Picasso's Guernica, created in 1937, is a great example …

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…com © 1997-2002 Microsoft Corporation. 14. Preotu, Raluca. "Destruction, Suffering, and Hope: Pablo Picasso's Guernica." http://arthistory.about.com/library/weekly/uc022601a.htm. 2002. 15. Preotu, Raluca. "Destruction, Suffering, and Hope: Pablo Picasso's Guernica." http://arthistory.about.com/library/weekly/uc022601a.htm. 2002. 16. Granell, Eugenio Fernandez. Picasso's Guernica: The End of a Spanish Era. New York: Umi Research Pr. 1969. 17. Granell, Eugenio Fernandez. Picasso's Guernica: The End of a Spanish Era. New York: Umi Research Pr. 1969.

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